
![]()
![]()
NEW WORKS!Selected Nebulae: |
|
| ngc6357 | for digital sounds in just intonation Click to hear a stereo mix of the surround sound version: mp3 file (2.6 MB) |
| ngc1999 | for digital sounds in just intonation Click to hear a stereo mix of the surround sound version: mp3 file (2.6 MB |
| m45 | for digital sounds Click to hear a stereo mix of the surround sound version: mp3 file (2.8 MB) |
| m17 | for digital sounds in just intonation Click to hear a stereo mix of the surround sound version: mp3 file (4 MB) |
| ngc2818 | for digital sounds in just intonation Click to hear a stereo mix of the surround sound version: mp3 file (2.7 MB) |
| 3C461 | for digital sounds in just intonation Click to hear a stereo mix of the surround sound version: mp3 file (3.6 MB) |
| ngc2080 | for digital sounds in just intonation Click to hear a stereo mix of the surround sound version: mp3 file (3.5 MB) |
|
for digital sounds The pitches for this piece are those found in a scale based on twenty
equal divisions of a perfect fifth, with middle-C as the tonic. Each
of these divisions is slightly larger than an interval of 35 cents,
and the result is very similar to Wendy Carlos's gamma tuning. A special
property of this scale is that it can be used to form very pure major
and minor thirds, and so the tertian harmonies used in this piece are
therefore quite clear and beautiful.
|
|
|
for digital sounds This piece is for the most part constructed of pitches in 12-TET. However, there are occasional microtonal embellishments, as heard in this 68 second audio clip: mp3 File (1 MB)
|
|
|
"Lament for renown and grace" from the |
for digital sounds The pitches for this piece are those found in a scale based on nineteen equal divisions of octave (i.e., 19-TET). A special property of this scale is that it can be used to form very pure minor thirds and major sixths. As this movement illustrates, it also provides more than the usual complement of chromatic embellishing pitches. Click to hear a 10 second audio clip: WAV File (82K) or mp3 File (189K)
|
|
"Midnight madness" from the |
for digital sounds This movement is definitely xenharmonic. Its most salient feature is an apparently endlessly descending set of glissandi (an example of an aural illusion known as Shepard tones).
|
| Perelandra |
for digital sounds This piece employs a large amount of pitch bending and pitch motives
based on a scale comprised of nine equal divisions of a just major third.
|
| Messenger |
for digital sounds The pitches of the principal sounds in the texture are tuned in a 5-limit just intonation based on the harmonic series of a Thunder Tube. Click to hear a 35 second audio clip from the middle of the piece: mp3 File (556K)
|
| Vaporis
Congeries Magnae |
for digital sounds This Csound piece is tuned in a 7-limit just intonation. Click to hear a 22 second audio clip from the middle of the piece: mp3 File (352K) |
Biographical information about the composer can be found here.